95th Annual Oscars

Brian in Mesa

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Best Actress In A Supporting Role

Angela Bassett (“Black Panther: Wakanda Forever”)
Hong Chau (“The Whale”)
Kerry Condon (“The Banshees of Inisherin”)
Jamie Lee Curtis (“Everything Everywhere All at Once”)
Stephanie Hsu (“Everything Everywhere All at Once”)

Best Original Screenplay

“The Banshees of Inisherin” (Martin McDonagh)
“Everything Everywhere All at Once” (Daniel Kwan, Daniel Scheinert)
“The Fabelmans” (Steven Spielberg, Tony Kushner)
“Tár” (Todd Field)
“Triangle of Sadness” (Ruben Östlund)

Best Actor In A Supporting Role

Brendan Gleeson (“The Banshees of Inisherin”)
Brian Tyree Henry (“Causeway”)
Judd Hirsch (“The Fabelmans”)
Barry Keoghan (“The Banshees of Inisherin”)
Ke Huy Quan (“Everything Everywhere All at Once”)

Best Adapted Screenplay

“All Quiet on the Western Front” (Edward Berger, Lesley Paterson, Ian Stokell)
“Glass Onion: A Knives Out Mystery” (Rian Johnson)
“Living” (Kazuo Ishiguro)
“Top Gun: Maverick” (Ehren Kruger, Eric Warren Singer, Christopher McQuarrie, and Story by Peter Craig and Justin Marks)
“Women Talking” (Sarah Polley)

Best International Feature Film

“All Quiet on the Western Front” (Germany)
“Argentina, 1985” (Argentina)
“Close” (Belgium)
“EO” (Poland)
“The Quiet Girl” (Ireland)

Best Animated Short Film

“The Boy, the Mole, the Fox, and the Horse” (Apple TV+)
“The Flying Sailor”
“Ice Merchants”
“My Year of *****”
“An Ostrich Told Me the World Is Fake and I Think I Believe It”

Best Costume Design

“Babylon” (Paramount Pictures)
“Black Panther: Wakanda Forever” (Marvel Studios)
“Elvis” (Warner Bros)
“Everything Everywhere All at Once” (A24)
“Mrs. Harris Goes to Paris” (Focus Features)

Best Production Design

“All Quiet on the Western Front” (Netflix)
“Avatar: The Way of Water” (20th Century Studios)
“Babylon” (Paramount Pictures)
“Elvis” (Warner Bros)
“The Fabelmans” (Universal Pictures)

Best Visual Effects

“All Quiet on the Western Front” (Netflix)
“Avatar: The Way of Water” (20th Century Studios)
“The Batman” (Warner Bros.)
“Black Panther: Wakanda Forever” (Marvel Studios)
“Top Gun: Maverick” (Paramount Pictures)

Best Live Action Short

“An Irish Goodbye” (Floodlight Pictures)
“Ivalu” (M&M Productions)
“Le Pupille” (Disney+)
“Night Ride”
“The Red Suitcase” (Cynefilms)

Best Animated Feature Film

“Guillermo del Toro’s Pinocchio” (Netflix)
“Marcel the Shell With Shoes On” (A24)
“Puss in Boots: The Last Wish” (DreamWorks Animation)
“The Sea Beast” (Netflix)
“Turning Red” (Pixar)

Best Sound

“All Quiet on the Western Front” (Netflix)
“Avatar: The Way of Water” (20th Century Studios)
“The Batman” (Warner Bros.)
“Elvis” (Warner Bros.)
“Top Gun: Maverick” (Paramount Pictures)

Best Original Score

“All Quiet on the Western Front”
“Babylon”
“The Banshees of Inisherin”
“Everything Everywhere All at Once”
“The Fabelmans”

Best Actor

Austin Butler (“Elvis”)
Colin Farrell (“The Banshees of Inisherin”)
Brendan Fraser (“The Whale”)
Paul Mescal (“Aftersun”)
Billy Nighy (“Living”)

Best Lead Actress

Cate Blanchett (“Tár”)
Ana de Armas (“Blonde”)
Andrea Riseborough (“To Leslie”)
Michelle Williams (“The Fabelmans”)
Michelle Yeoh (“Everything Everywhere All at Once”)

Best Cinematography

“All Quiet on the Western Front” (Netflix)
“Bardo, False Chronicle of a Handful of Truths” (Netflix)
“Elvis” (Warner Bros.)
“Empire of Light” (Searchlight Pictures)
“Tár” (Focus Features)

Best Makeup And Hairstyling

“All Quiet on the Western Front” (Netflix)
“The Batman” (Warner Bros.)
“Black Panther: Wakanda Forever” (Marvel Studios)
“Elvis” (Warner Bros.)
“The Whale” (A24)

Best Documentary Feature Film

“All That Breathes” (HBO Documentary Films)
“All the Beauty and the Bloodshed” (Neon)
“Fire of Love” (National Geographic Documentary Films/Neon)
“A House Made of Splinters”
“Navalny” (CNN/Warner Bros.)

Best Documentary Short Film

“The Elephant Whisperers” (Netflix)
“Haulout”
“How Do You Measure a Year?” (Jay Rosenblatt Films)
“The Martha Mitchell Effect” (Netflix)
“Stranger at the Gate”

Best Film Editing

“The Banshees of Inisherin” (Searchlight Pictures)
“Elvis” (Warner Bros.)
“Everything Everywhere All at Once” (A24)
“Tár”
“Top Gun: Maverick” (Paramount)

Best Original Song

“Applause” from “Tell It Like a Woman”
“Hold My Hand” from “Top Gun: Maverick”
“Lift Me Up” from “Black Panther: Wakanda Forever”
“Naatu Naatu” from “RRR”
“This Is a Life” from “Everything Everywhere All at Once”

Best Director

Martin McDonagh (“The Banshees of Inisherin”)
Daniel Kwan, Daniel Scheinert (“Everything Everywhere All at Once”)
Steven Spielberg (“The Fabelmans”)
Todd Field (“Tár”)
Ruben Östlund (“Triangle of Sadness”)

Best Picture

“All Quiet on the Western Front” (Netflix)
“Avatar: The Way of Water” (20 Century Studios)
“The Banshees of Inisherin” (Searchlight Pictures)
“Elvis” (Warner Bros.)
“Everything Everywhere All at Once” (A24)
“The Fabelmans” (Universal Pictures)
“Tár” (Focus Features)
“Top Gun: Maverick” (Paramount Pictures)
“Triangle of Sadness” (Neon)
“Women Talking” (MGM/United Artists Releasing)
 
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Brian in Mesa

Brian in Mesa

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Jimmy Kimmel To Host The Oscars For A Third Time​


“We’re super thrilled to have Jimmy score his hat trick on this global stage,” executive producers and showrunners Glenn Weiss and Ricky Kirshner said in a joint statement. “We know he will be funny and ready for anything!”

Kimmel has hosted the show twice before, in 2017, when he managed the chaotic final moments in which the wrong best picture winner was called, and then the next year, which came just months into the #MeToo reckoning.

“Being invited to host the Oscars for a third time is either a great honor or a trap,” Kimmel said. “Either way, I am grateful to the academy for asking me so quickly after everyone good said no.”
 
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Brian in Mesa

Brian in Mesa

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Academy ‘Conducting Review’ After Andrea Riseborough’s Surprise Oscar Nomination

The Academy of Motion Picture Arts and Sciences confirmed Friday that it is “conducting a review of campaign procedures” in the wake of Andrea Riseborough’s surprise Oscar nomination for the small indie film “To Leslie.”

The Academy released a statement Friday regarding the campaign, though it didn’t mention “To Leslie” specifically.

“It is the Academy’s goal to ensure that the Awards competition is conducted in a fair and ethical manner, and we are committed to ensuring an inclusive awards process,” the statement reads. “We are conducting a review of the campaign procedures around this year’s nominees, to ensure that no guidelines were violated, and to inform us whether changes to the guidelines may be needed in a new era of social media and digital communication. We have confidence in the integrity of our nomination and voting procedures, and support genuine grassroots campaigns for outstanding performances.”


The drama, which grossed only $27,000 at the box office, has come in for scrutiny for the targeted campaigning conducted by its supporters on behalf of Riseborough.

Since Tuesday’s nominations, the industry has been hotly debating whether her campaign violated any of the rules and guidelines established by AMPAS. Since Riseborough’s name was called, rumors have been circulating that she could be disqualified. In fact, according to multiple sources, the Academy is meeting next Tuesday, where Riseborough will be on the agenda. In addition, sources also reveal that although the Academy has been inundated with calls and e-mails regarding Riseborough’s inclusion, no formal complaints have been filed.
 

Cheesebeef

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I'm willing to bet this will be the lowest rated Oscars ever.
won't be lower than the makeshift 2021 Oscars they had at Union Station when that movie about drifters won best picture.

and i'm thinking Top Gun and Avatar being massive hits with chances for big wins will goose ratings a little bit.
 

Covert Rain

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won't be lower than the makeshift 2021 Oscars they had at Union Station when that movie about drifters won best picture.

and i'm thinking Top Gun and Avatar being massive hits with chances for big wins will goose ratings a little bit.
Do they really though? Don't get me wrong, I would LOVE LOVE LOVE for Top Gun: Maverick to win best picture because movies like this have long been ignored by the Oscars. I am just in that "I will believe it when I see it" situation with the Oscars. Likely the Oscars are still giant snobs and nominating those films is more of an empty gesture, but one can hope.
 

FB94

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All quiet on the western front is very good. Other than that don’t care about the Oscar’s or who gets their participation trophies
 

JerkFace

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I just watched Triangle of Sadness and thought it was amazing.
 
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Brian in Mesa

Brian in Mesa

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Best Actress In A Supporting Role

Angela Bassett (“Black Panther: Wakanda Forever”)
Hong Chau (“The Whale”)
Kerry Condon (“The Banshees of Inisherin”)
Jamie Lee Curtis (“Everything Everywhere All at Once”)
Stephanie Hsu (“Everything Everywhere All at Once”)

Best Original Screenplay

“The Banshees of Inisherin” (Martin McDonagh)
“Everything Everywhere All at Once” (Daniel Kwan, Daniel Scheinert)
“The Fabelmans” (Steven Spielberg, Tony Kushner)
“Tár” (Todd Field)
“Triangle of Sadness” (Ruben Östlund)

Best Actor In A Supporting Role

Brendan Gleeson (“The Banshees of Inisherin”)
Brian Tyree Henry (“Causeway”)
Judd Hirsch (“The Fabelmans”)
Barry Keoghan (“The Banshees of Inisherin”)
Ke Huy Quan (“Everything Everywhere All at Once”)

Best Adapted Screenplay

“All Quiet on the Western Front” (Edward Berger, Lesley Paterson, Ian Stokell)
“Glass Onion: A Knives Out Mystery” (Rian Johnson)
“Living” (Kazuo Ishiguro)
“Top Gun: Maverick” (Ehren Kruger, Eric Warren Singer, Christopher McQuarrie, and Story by Peter Craig and Justin Marks)
“Women Talking” (Sarah Polley)

Best International Feature Film

“All Quiet on the Western Front” (Germany)
“Argentina, 1985” (Argentina)
“Close” (Belgium)
“EO” (Poland)
“The Quiet Girl” (Ireland)

Best Animated Short Film

“The Boy, the Mole, the Fox, and the Horse” (Apple TV+)
“The Flying Sailor”
“Ice Merchants”
“My Year of *****”
“An Ostrich Told Me the World Is Fake and I Think I Believe It”

Best Costume Design

“Babylon” (Paramount Pictures)
“Black Panther: Wakanda Forever” (Marvel Studios)
“Elvis” (Warner Bros)
“Everything Everywhere All at Once” (A24)
“Mrs. Harris Goes to Paris” (Focus Features)

Best Production Design

“All Quiet on the Western Front” (Netflix)
“Avatar: The Way of Water” (20th Century Studios)
“Babylon” (Paramount Pictures)
“Elvis” (Warner Bros)
“The Fabelmans” (Universal Pictures)

Best Visual Effects

“All Quiet on the Western Front” (Netflix)
“Avatar: The Way of Water” (20th Century Studios)
“The Batman” (Warner Bros.)
“Black Panther: Wakanda Forever” (Marvel Studios)
“Top Gun: Maverick” (Paramount Pictures)

Best Live Action Short

“An Irish Goodbye” (Floodlight Pictures)
“Ivalu” (M&M Productions)
“Le Pupille” (Disney+)
“Night Ride”
“The Red Suitcase” (Cynefilms)

Best Animated Feature Film

“Guillermo del Toro’s Pinocchio” (Netflix)
“Marcel the Shell With Shoes On” (A24)
“Puss in Boots: The Last Wish” (DreamWorks Animation)
“The Sea Beast” (Netflix)
“Turning Red” (Pixar)

Best Sound

“All Quiet on the Western Front” (Netflix)
“Avatar: The Way of Water” (20th Century Studios)
“The Batman” (Warner Bros.)
“Elvis” (Warner Bros.)
“Top Gun: Maverick” (Paramount Pictures)

Best Original Score

“All Quiet on the Western Front”
“Babylon”
“The Banshees of Inisherin”
“Everything Everywhere All at Once”
“The Fabelmans”

Best Actor

Austin Butler (“Elvis”)
Colin Farrell (“The Banshees of Inisherin”)
Brendan Fraser (“The Whale”)
Paul Mescal (“Aftersun”)
Billy Nighy (“Living”)

Best Lead Actress

Cate Blanchett (“Tár”)
Ana de Armas (“Blonde”)
Andrea Riseborough (“To Leslie”)
Michelle Williams (“The Fabelmans”)
Michelle Yeoh (“Everything Everywhere All at Once”)

Best Cinematography

“All Quiet on the Western Front” (Netflix)
“Bardo, False Chronicle of a Handful of Truths” (Netflix)
“Elvis” (Warner Bros.)
“Empire of Light” (Searchlight Pictures)
“Tár” (Focus Features)

Best Makeup And Hairstyling

“All Quiet on the Western Front” (Netflix)
“The Batman” (Warner Bros.)
“Black Panther: Wakanda Forever” (Marvel Studios)
“Elvis” (Warner Bros.)
“The Whale” (A24)

Best Documentary Feature Film

“All That Breathes” (HBO Documentary Films)
“All the Beauty and the Bloodshed” (Neon)
“Fire of Love” (National Geographic Documentary Films/Neon)
“A House Made of Splinters”
“Navalny” (CNN/Warner Bros.)

Best Documentary Short Film

“The Elephant Whisperers” (Netflix)
“Haulout”
“How Do You Measure a Year?” (Jay Rosenblatt Films)
“The Martha Mitchell Effect” (Netflix)
“Stranger at the Gate”

Best Film Editing

“The Banshees of Inisherin” (Searchlight Pictures)
“Elvis” (Warner Bros.)
“Everything Everywhere All at Once” (A24)
“Tár”
“Top Gun: Maverick” (Paramount)

Best Original Song

“Applause” from “Tell It Like a Woman”
“Hold My Hand” from “Top Gun: Maverick”
“Lift Me Up” from “Black Panther: Wakanda Forever”
“Naatu Naatu” from “RRR”
“This Is a Life” from “Everything Everywhere All at Once”

Best Director

Martin McDonagh (“The Banshees of Inisherin”)
Daniel Kwan, Daniel Scheinert (“Everything Everywhere All at Once”)
Steven Spielberg (“The Fabelmans”)
Todd Field (“Tár”)
Ruben Östlund (“Triangle of Sadness”)

Best Picture

“All Quiet on the Western Front” (Netflix)
“Avatar: The Way of Water” (20 Century Studios)
“The Banshees of Inisherin” (Searchlight Pictures)
“Elvis” (Warner Bros.)
“Everything Everywhere All at Once” (A24)
“The Fabelmans” (Universal Pictures)
“Tár” (Focus Features)
“Top Gun: Maverick” (Paramount Pictures)
“Triangle of Sadness” (Neon)
“Women Talking” (MGM/United Artists Releasing)
 
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Brian in Mesa

Brian in Mesa

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Seems like this happens every year:

Paul Sorvino, Anne Heche snubbed by Oscars: Stars missing from In Memoriam

Paul Sorvino and Anne Heche were just two of the big names missing from the Oscars In Memoriam montage on Sunday night.

The segment, which was introduced by a teary-eyed John Travolta who lost his “Grease” co-star Olivia Newton-John and longtime friend and co-star Kirstie Alley, and included a performance of “Calling All Angels” by Lenny Kravitz.

Fans took to social media to slam the snubs, with others noting that Leslie Jordan, Tony Sirico, and Tom Sizemore were also noticeably absent in the televised tribute.

Following the end of the segment, the Academy directed viewers to its website for a longer list, but fans were still angry about omissions.

South African actress Charlbi Dean Kriek— who passed away suddenly last year at the age of 32 — also didn’t appear, despite a starring role in the Oscar-nominated film “Triangle of Sadness.”
 

UncleChris

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Seems like this happens every year:

Paul Sorvino, Anne Heche snubbed by Oscars: Stars missing from In Memoriam

Paul Sorvino and Anne Heche were just two of the big names missing from the Oscars In Memoriam montage on Sunday night.

The segment, which was introduced by a teary-eyed John Travolta who lost his “Grease” co-star Olivia Newton-John and longtime friend and co-star Kirstie Alley, and included a performance of “Calling All Angels” by Lenny Kravitz.

Fans took to social media to slam the snubs, with others noting that Leslie Jordan, Tony Sirico, and Tom Sizemore were also noticeably absent in the televised tribute.

Following the end of the segment, the Academy directed viewers to its website for a longer list, but fans were still angry about omissions.

South African actress Charlbi Dean Kriek— who passed away suddenly last year at the age of 32 — also didn’t appear, despite a starring role in the Oscar-nominated film “Triangle of Sadness.”
The Academy had their heads up their collective arses on this one...... :thumbdown
 

Cheesebeef

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won't be lower than the makeshift 2021 Oscars they had at Union Station when that movie about drifters won best picture.

and i'm thinking Top Gun and Avatar being massive hits with chances for big wins will goose ratings a little bit.
As I expected, ratings went up 12% from last year.


It’s impossible to say what definitively caused the jump, but having some mega blockbusters everyone has seen and Everything Everywhere being a massive indie hit probably had something to do with it.

first time in a couple years any even somewhat popular movies got nominated.

I think rumors of the movies demise might have been premature. So far the box office is having a great bounce back year with originals and good sequels topping the charts and having solid holds. And when all was said and done, I thought the best picture nominees were a pretty good bunch, with a pretty wide variety of blockbusters, mid majors and studio art-house-ish fare.
 

Chaplin

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As I expected, ratings went up 12% from last year.


It’s impossible to say what definitively caused the jump, but having some mega blockbusters everyone has seen and Everything Everywhere being a massive indie hit probably had something to do with it.

first time in a couple years any even somewhat popular movies got nominated.

I think rumors of the movies demise might have been premature. So far the box office is having a great bounce back year with originals and good sequels topping the charts and having solid holds. And when all was said and done, I thought the best picture nominees were a pretty good bunch, with a pretty wide variety of blockbusters, mid majors and studio art-house-ish fare.
Maverick should have gotten at least some recognition. Tom Cruise may have single handedly saved theatrical movies.
 

Cheesebeef

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Maverick should have gotten at least some recognition. Tom Cruise may have single handedly saved theatrical movies.
I tend to agree, but Where do you think they could have gotten it though? I’d say in the tech categories, but All’s Quiet technical achievements were pretty damn impressive as well. I only watched 25 minutes of that movie, but it was a pretty hypnotic mix of sight, sound and score.

That said, I thought it was lame that both Cruise and Cameron skipped the Oscars simply because they knew they had no shot to win anything big. And that’s coming from a big Cruise/Cameron fan.
 

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