93rd Annual Oscars

Brian in Mesa

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93rd Annual Oscars

Winners in red.

Best Actor in a Leading Role

Riz Ahmed (“Sound of Metal”)

Chadwick Boseman (“Ma Rainey’s Black Bottom”)

Anthony Hopkins (“The Father”) (WINNER)

Gary Oldman (“Mank”)

Steven Yeun (“Minari”)

Best Actress in a Leading Role

Viola Davis (“Ma Rainey’s Black Bottom”)

Andra Day (“The United States v. Billie Holiday”)

Vanessa Kirby (“Pieces of a Woman”)

Frances McDormand (“Nomadland”) (WINNER)

Carey Mulligan (“Promising Young Woman”)

Best Picture

“The Father” (David Parfitt, Jean-Louis Livi and Philippe Carcassonne, producers)

“Judas and the Black Messiah” (Shaka King, Charles D. King and Ryan Coogler, producers)

“Mank” (Ceán Chaffin, Eric Roth and Douglas Urbanski, producers)

“Minari” (Christina Oh, producer)

“Nomadland” (Frances McDormand, Peter Spears, Mollye Asher, Dan Janvey and Chloé Zhao, producers) (WINNER)

“Promising Young Woman” (Ben Browning, Ashley Fox, Emerald Fennell and Josey McNamara, producers)

“Sound of Metal” (Bert Hamelinck and Sacha Ben Harroche, producers)

“The Trial of the Chicago 7” (Marc Platt and Stuart Besser, producers)

Best Original Song

“Fight for You,” (“Judas and the Black Messiah”). Music by H.E.R. and Dernst Emile II; Lyric by H.E.R. and Tiara Thomas (WINNER)

“Hear My Voice,” (“The Trial of the Chicago 7”). Music by Daniel Pemberton; Lyric by Daniel Pemberton and Celeste Waite

“Húsavík,” (“Eurovision Song Contest”). Music and Lyric by Savan Kotecha, Fat Max Gsus and Rickard Göransson

“Io Si (Seen),” (“The Life Ahead”). Music by Diane Warren; Lyric by Diane Warren and Laura Pausini

“Speak Now,” (“One Night in Miami”). Music and Lyric by Leslie Odom, Jr. and Sam Ashworth

Best Original Score

“Da 5 Bloods,” Terence Blanchard

“Mank,” Trent Reznor, Atticus Ross

“Minari,” Emile Mosseri

“News of the World,” James Newton Howard

“Soul,” Trent Reznor, Atticus Ross, Jon Batiste (WINNER)

Best Film Editing

“The Father,” Yorgos Lamprinos

“Nomadland,” Chloé Zhao

“Promising Young Woman,” Frédéric Thoraval

“Sound of Metal,” Mikkel E.G. Nielsen (WINNER)

“The Trial of the Chicago 7,” Alan Baumgarten

Best Cinematography

“Judas and the Black Messiah,” Sean Bobbitt

“Mank,” Erik Messerschmidt (WINNER)

“News of the World,” Dariusz Wolski

“Nomadland,” Joshua James Richards

“The Trial of the Chicago 7,” Phedon Papamichael

Best Production Design

“The Father.” Production Design: Peter Francis; Set Decoration: Cathy Featherstone

“Ma Rainey’s Black Bottom.” Production Design: Mark Ricker; Set Decoration: Karen O’Hara and Diana Stoughton

“Mank.” Production Design: Donald Graham Burt; Set Decoration: Jan Pascale (WINNER)

“News of the World.” Production Design: David Crank; Set Decoration: Elizabeth Keenan

“Tenet.” Production Design: Nathan Crowley; Set Decoration: Kathy Lucas

Best Actress in a Supporting Role

Maria Bakalova (‘Borat Subsequent Moviefilm”)

Glenn Close (“Hillbilly Elegy”)

Olivia Colman (“The Father”)

Amanda Seyfried (“Mank”)

Yuh-Jung Youn (“Minari”) (WINNER)

Best Visual Effects

“Love and Monsters,” Matt Sloan, Genevieve Camilleri, Matt Everitt and Brian Cox

“The Midnight Sky,” Matthew Kasmir, Christopher Lawrence, Max Solomon and David Watkins

“Mulan,” Sean Faden, Anders Langlands, Seth Maury and Steve Ingram

“The One and Only Ivan,” Nick Davis, Greg Fisher, Ben Jones and Santiago Colomo Martinez

“Tenet,” Andrew Jackson, David Lee, Andrew Lockley and Scott Fisher (WINNER)

Best Documentary Feature

“Collective,” Alexander Nanau and Bianca Oana

“Crip Camp,” Nicole Newnham, Jim LeBrecht and Sara Bolder

“The Mole Agent,” Maite Alberdi and Marcela Santibáñez

“My Octopus Teacher,” Pippa Ehrlich, James Reed and Craig Foster (WINNER)

“Time,” Garrett Bradley, Lauren Domino and Kellen Quinn

Best Documentary Short Subject

“Colette,” Anthony Giacchino and Alice Doyard (WINNER)

“A Concerto Is a Conversation,” Ben Proudfoot and Kris Bowers

“Do Not Split,” Anders Hammer and Charlotte Cook

“Hunger Ward,” Skye Fitzgerald and Michael Scheuerman

“A Love Song for Latasha,” Sophia Nahli Allison and Janice Duncan

Best Animated Feature Film

“Onward” (Pixar)

“Over the Moon” (Netflix)

“A Shaun the Sheep Movie: Farmageddon” (Netflix)

“Soul” (Pixar) (WINNER)

“Wolfwalkers” (Apple TV Plus/GKIDS)

Best Animated Short Film

“Burrow” (Disney Plus/Pixar)

“Genius Loci” (Kazak Productions)

“If Anything Happens I Love You” (Netflix) (WINNER)

“Opera” (Beasts and Natives Alike)

“Yes-People” (CAOZ hf. Hólamói)

Best Live-Action Short Film

“Feeling Through”

“The Letter Room”

“The Present”

“Two Distant Strangers” (WINNER)

“White Eye”

Best Sound

“Greyhound,” Warren Shaw, Michael Minkler, Beau Borders and David Wyman

“Mank,” Ren Klyce, Jeremy Molod, David Parker, Nathan Nance and Drew Kunin

“News of the World,” Oliver Tarney, Mike Prestwood Smith, William Miller and John Pritchett

“Soul,” Ren Klyce, Coya Elliott and David Parker

“Sound of Metal,” Nicolas Becker, Jaime Baksht, Michelle Couttolenc, Carlos Cortés and Phillip Bladh (WINNER)

Best Director

Thomas Vinterberg (“Another Round”)

David Fincher (“Mank”)

Lee Isaac Chung (“Minari”)

Chloé Zhao (“Nomadland”) (WINNER)

Emerald Fennell (“Promising Young Woman”)

Best Costume Design

“Emma,” Alexandra Byrne

“Mank,” Trish Summerville

“Ma Rainey’s Black Bottom,” Ann Roth (WINNER)

“Mulan,” Bina Daigeler

“Pinocchio,” Massimo Cantini Parrini

Best Makeup and Hairstyling

“Emma,” Marese Langan, Laura Allen, Claudia Stolze

“Hillbilly Elegy,” Eryn Krueger Mekash, Patricia Dehaney, Matthew Mungle

“Ma Rainey’s Black Bottom,” Sergio Lopez-Rivera, Mia Neal, Jamika Wilson (WINNER)

“Mank,” Kimberley Spiteri, Gigi Williams, Colleen LaBaff

“Pinocchio,” Mark Coulier, Dalia Colli, Francesco Pegoretti

Best Actor in a Supporting Role

Sacha Baron Cohen (“The Trial of the Chicago 7”)

Daniel Kaluuya (“Judas and the Black Messiah”) (WINNER)

Leslie Odom Jr. (“One Night in Miami”)

Paul Raci (“Sound of Metal”)

Lakeith Stanfield (“Judas and the Black Messiah”)

Best International Feature Film

“Another Round” (Denmark) (WINNER)

“Better Days” (Hong Kong)

“Collective” (Romania)

“The Man Who Sold His Skin” (Tunisia)

“Quo Vadis, Aida?” (Bosnia and Herzegovina)

Best Adapted Screenplay

“Borat Subsequent Moviefilm.” Screenplay by Sacha Baron Cohen, Anthony Hines, Dan Swimer, Peter Baynham, Erica Rivinoja, Dan Mazer, Jena Friedman, Lee Kern; Story by Sacha Baron Cohen, Anthony Hines, Dan Swimer, Nina Pedrad

“The Father,” Christopher Hampton and Florian Zeller (WINNER)

“Nomadland,” Chloé Zhao

“One Night in Miami,” Kemp Powers

“The White Tiger,” Ramin Bahrani

Best Original Screenplay

“Judas and the Black Messiah.” Screenplay by Will Berson, Shaka King; Story by Will Berson, Shaka King, Kenny Lucas, Keith Lucas

“Minari,” Lee Isaac Chung

“Promising Young Woman,” Emerald Fennell (WINNER)

“Sound of Metal.” Screenplay by Darius Marder, Abraham Marder; Story by Darius Marder, Derek Cianfrance

“The Trial of the Chicago 7,” Aaron Sorkin

 
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Brian in Mesa

Brian in Mesa

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Daniel Kaluuya Thanks His Mom and Dad for 'Having Sex' in Oscar Acceptance Speech

https://www.msn.com/en-us/movies/ot...acceptance-speech/ar-BB1g2WL1?ocid=uxbndlbing

Daniel Kaluuya accepted the award for Best Actor in a Supporting Role on Sunday night at the Oscars. After beginning with a serious and heartfelt speech about Black Panther Fred Hampton, he lightheartedly added tonight he would celebrate life, saying "My mom and my dad...they had sex. It's amazing! I'm here!"

The cameras then cut to the British actor's mom and sister in the audience, who laughed embarrassedly. The moment was quickly noticed on Twitter. This user wrote: "Daniel Kaluuya may think he's celebrating tonight but not without a proper beating from his mom first."
 

Chaplin

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That’s some insane decline

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It's no wonder considering how much a bore the lineup was. Some good films but when you don't have something like Black Panther or some other high concept film being talked about as being a possibility, it's hard to get excited. The most high concept film was probably Tenet, and that came out with a whisper instead of a bang. And it wasn't even nominated for Best Pic.
 

Stout

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Nobody really cares about them any longer except for the industry folks and die-harders. I think the old-school Hollywood types are holding on too tight. I started to scroll down, and saw Mank had multiple nominations (and did it win something?). I've heard absolutely nothing special about that movie, but it tickles the old Hollywood farts' fancy, so...yeah.

Aside from needing the new generation to take over (get cracking, Chap!), what can be done to get people interested again?
 

Chaplin

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Nobody really cares about them any longer except for the industry folks and die-harders. I think the old-school Hollywood types are holding on too tight. I started to scroll down, and saw Mank had multiple nominations (and did it win something?). I've heard absolutely nothing special about that movie, but it tickles the old Hollywood farts' fancy, so...yeah.

Aside from needing the new generation to take over (get cracking, Chap!), what can be done to get people interested again?
Most people are only interested in bigger and more bombastic sequels and remakes. And it’s not the studios fault, it’s the audience. Where the money is, that’s where the industry goes. Unfortunately. Ironically, I would have thought you would have appreciated this year because of the lack of audience friendly content.
 

Stout

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Most people are only interested in bigger and more bombastic sequels and remakes. And it’s not the studios fault, it’s the audience. Where the money is, that’s where the industry goes. Unfortunately. Ironically, I would have thought you would have appreciated this year because of the lack of audience friendly content.

Yeah, that's a sad fact as well. I certainly didn't appreciate this year, though, because I love going to the movies. Sure, it's been nice to watch some first-run movies for free at home, but damn, I'd love to be at the theater.
 

Chaplin

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Yeah, that's a sad fact as well. I certainly didn't appreciate this year, though, because I love going to the movies. Sure, it's been nice to watch some first-run movies for free at home, but damn, I'd love to be at the theater.
I think movie GOING is a completely different discussion, and you are right about that. I was talking about why the Oscars weren't watched. And part of it certainly is that with the lack of theater-going comes with a lack of interest.
 
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